![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
cinaedSo after being burned by too many LGBTQA rec lists (why does anyone rec Perry Moore's Hero, it is a piece of sexist garbage and the gay relationship is so slight that some people have read it and not even realized it was meant to be a relationship, SIT IN THE CORNER AND THINK ABOUT YOUR CHOICES) I decided I was going to just have 2016 be my queer sci-fi/fantasy year! I pulled up a lot of rec lists, squinted at the descriptions of books, and requested about 30 different books.
I have read two so far and-- well, apparently what all those rec lists have in common is that they neglect to mention when something is the start of a series. And both books have ended on cliffhangers (one literal-- character jumps off a cliff at the end; one figurative-- character spends the last paragraph being smothered by a pillow), WHY.
...of course only one of them is one I think I'll actually continue.
Look, I WANTED to like Mary Gentle's The Lion's Eye. It's an alternate history where Carthage doesn't fall, the Holy Roman Empire is in shambles, Egypt is ruled by a queen, and the main character Ilarrio is a hermaphrodite and former slave on the run from their mother, who's just tried to kill them! There are great characters, like the Egyptian eunuch who helps them and has some cool chemistry with and is may or may not be a spy but is also CERTAINLY a scribe and book-seller who conveniently wanders around the continent, and the main character's father who didn't know they existed and is now super cheerful about his daughter-son and keeps trying to coax them to come and be his heir and live on his nice little villa and do what they like! The hapless assassin that Ilarrio makes pose as a model for their painting of Judas for hours on end, being uncomfortable and super confused about things!
...but then there is the whole there where about three-fourths of the way through the book everything gets...weird. And I did not sign up for Ilarrio to suddenly be pregnant and have to be miserably stuck presenting as a woman when they're clearly more comfortable presenting as a man. And then the BABY. I am here for political shenanigans and a potential romance between Ilarrio and the eunuch, not suddenly Ilarrio being consumed with motherly feelings.
I am, however, looking forward to Lisa Bowen's sequel to Wake of the Vultures, which is due out in October. Even if it ended on a LITERAL CLIFFHANGER (thanks, Bowen!), it was definitely a better book and one I want to continue with, despite a few negative qualities to the book. (Two rape attempts, really? Must we?)
But Wake of the Vultures is also an alternate historical fantasy, this time set in a vaguely American West, with the main character Nettie Lonesome, an ill-used half-black, half-Indian girl who murders a stranger one day and begins to see monsters all around her, from vampires to shape-shifting coyotes who have the habit of transforming into Indian twins and ruining Nettie's life. And her entire life changes, with her struggling to find her place in a world that doesn't understand her (although it's a tight third-person POV focused on her and the book uses she/her pronouns, Nettie repeatedly identifies as a man and attempts to pass as one among other people) and in a role she doesn't want (once you've killed a monster, the other monsters tend to come looking for you). The magic in this is wonderfully creepy, the characters are great, and I'm interested in seeing what happens next. I just have to...wait until October. *pulls a face*
I have read two so far and-- well, apparently what all those rec lists have in common is that they neglect to mention when something is the start of a series. And both books have ended on cliffhangers (one literal-- character jumps off a cliff at the end; one figurative-- character spends the last paragraph being smothered by a pillow), WHY.
...of course only one of them is one I think I'll actually continue.
Look, I WANTED to like Mary Gentle's The Lion's Eye. It's an alternate history where Carthage doesn't fall, the Holy Roman Empire is in shambles, Egypt is ruled by a queen, and the main character Ilarrio is a hermaphrodite and former slave on the run from their mother, who's just tried to kill them! There are great characters, like the Egyptian eunuch who helps them and has some cool chemistry with and is may or may not be a spy but is also CERTAINLY a scribe and book-seller who conveniently wanders around the continent, and the main character's father who didn't know they existed and is now super cheerful about his daughter-son and keeps trying to coax them to come and be his heir and live on his nice little villa and do what they like! The hapless assassin that Ilarrio makes pose as a model for their painting of Judas for hours on end, being uncomfortable and super confused about things!
...but then there is the whole there where about three-fourths of the way through the book everything gets...weird. And I did not sign up for Ilarrio to suddenly be pregnant and have to be miserably stuck presenting as a woman when they're clearly more comfortable presenting as a man. And then the BABY. I am here for political shenanigans and a potential romance between Ilarrio and the eunuch, not suddenly Ilarrio being consumed with motherly feelings.
I am, however, looking forward to Lisa Bowen's sequel to Wake of the Vultures, which is due out in October. Even if it ended on a LITERAL CLIFFHANGER (thanks, Bowen!), it was definitely a better book and one I want to continue with, despite a few negative qualities to the book. (Two rape attempts, really? Must we?)
But Wake of the Vultures is also an alternate historical fantasy, this time set in a vaguely American West, with the main character Nettie Lonesome, an ill-used half-black, half-Indian girl who murders a stranger one day and begins to see monsters all around her, from vampires to shape-shifting coyotes who have the habit of transforming into Indian twins and ruining Nettie's life. And her entire life changes, with her struggling to find her place in a world that doesn't understand her (although it's a tight third-person POV focused on her and the book uses she/her pronouns, Nettie repeatedly identifies as a man and attempts to pass as one among other people) and in a role she doesn't want (once you've killed a monster, the other monsters tend to come looking for you). The magic in this is wonderfully creepy, the characters are great, and I'm interested in seeing what happens next. I just have to...wait until October. *pulls a face*
