for letting me use this format for a yearly review. I'll probably do book review one too at some point.
Twenty-nine shows! Doing a quick count of 2016, that's down from 36, but that's also mostly because this time I didn't exhaust myself trying to see like 20 Fringe Festival shows. Still a pretty good number.
Fiction/Non-Fiction ratio?
All of them were fiction, though several of them used elements of history.
Or, with the life of Aphra Behn.
Ladies in Waiting, which was a very cathartic show where all of Henry VIII's wives got to yell at him in the afterlife.
Julius Caesar and
Antony and Cleopatra both involving Shakespeare playing with history.
The Devil's Music, with the life of Bessie Smith.
Male/Female playwrights?
Whoops, that's not really something I pay attention to, other than to keep an eye out for favorite playwrights. Looking at them now, it fell out as:
Female: 2
Male: 16
Multple f/f playwrights: 2
Multiple m/m playwrights: 4
Multiple m/f playwrights: 2
...Yikes, I am going to have to work on that.
Favorite plays watched?
Or, is one of my all-time favorite plays, so I was delighted to see it back in my area! The last time I saw it was probably 2011 or so at a community theater. Twelfth Night is also my favorite Shakespeare, so it was fun to see it again. The Devil's Music: The Life & Blues of Bessie Smith and Neverwhere were probably my favorite first-time watches.
Least favorite?
Release, a Rock Opera was a mess. There were a few absolutely gorgeous songs, and the actors did their best, but there were problems with audio, and the story itself was a mess and infuriating. Also, Shakespeare is always hit or miss for me, and I didn't really enjoy three of his I saw this year: Julius Caesar, Antony and Cleopatra, and Timon of Athens. I admired Arden Now for what it was trying to do with pronouns and gender, but it ultimately didn't work for me. The rainbow cake they passed out at the end was some of the best cake I've ever had, so there's that going for it.
Oldest play watched?
Julius Caesar, beating out the other Shakespeare plays by a year or so.
Newest?
Mean Girls I know for certain, but I believe Arden Now and The Changeling Child were both premieres as well.
Longest play title?
Ladies in Waiting: The Judgement of Henry VIII tried, but ultimately The Devil's Music: The Life & Blues of Bessie Smith wins.
Shortest title?
Liz Duffy Adams' Or.
How many re-watches?
I saw Mean Girls twice, once with a theater subscription and another with my manager as a good-bye gift after she was transferred, but six I've seen at least once before (or in Les Miserables' case, uh, this was my fifth time). Twelfth Night, As You Like It, RENT, Or, and Fun Home.
Most plays seen by one playwright this year?
Five by good old Mr. Shakespeare. Seven, if you take into account both Arden Now and The Changeling Child being remixes or sequels of A Midsummer Night's Dream and As You Like It.
Any in translation?
Not quite, though The School of Lies is adapted from Le Misanthrope by Molière.
Any musicals?
Uh, yes. I am very much a lover of musicals, haha. I saw twelve this year.
Plays that most changed my perspective:
Neverwhere was my first experience with immersive theater, and I loved it a lot. It definitely made me want to try more immersive theater.
Play that made me laugh the most:
Noises Off! was hilariously zany, and The Book of Mormon was so much fun to see live. So many jokes that couldn't make it onto the casting recording that made me laugh. I don't know if The Changeling Child was a good play, but it was an AMAZING one. I loved Puck being annoyed about developing feelings and being more of a parental figure to Raj, and the relationships between Raj/Pyramus and Velena/Gaitana. Plus sex pollen and orgies, oh my.
Saddest play:
Oh boy, how do you choose between Cabaret, which is about the rise of Nazism in Germany and the miseries dysfunctional people can inflict upon each other; Ragtime, which is about racism and anti-immigration sentiment in early 1900s America; or Death of a Salesman about pride leading to a man's self-destruction and all the damage you can do to your children? I'll just go with all three.
Favorite set design:
I loved everything about the immersion theater of Neverwhere, but I also really loved how Mean Girls used technology to add extra layers to the musical. And I really loved the Twelfth Night design, even though my show had, er, some technical difficulties.
Favorite choreography:
The Book of Mormon had great choreography. The Pajama Game was very 1950s in tone, but the actors were amazing and the dancing was fantastic. The Devil's Music also had some very sexy dancing involving a saxophone that managed to be funny and hot all at once, so kudos for that.
Favorite character:
Questions about favorite for individual people are always hard for me, but I'm going with Biff Loman from Death of a Salesman as a character who stuck with me. His disillusionment with his father as well as his realization and eventual acceptance that he's an average guy and that his parents placed a burden on him to be special was very moving to me. Despite the ending of the play, I think he out of the surviving cast is going to be okay. Also I read some gay subtext into his relationship with his old high school friend, so my mental fix-it is that he buys himself that ranch he wanted and ends up falling for one of his ranch hands and lives happily ever after.
Favorite actor:
Syesha Mercado as Nabulungi in The Book of Mormon. "Sal Tlay Ka Siti" was turned into something incredibly moving thanks to Mercado's aching sweetness and optimism for a better life than the one she's living. Just wonderful. I loved her fierce but kind and uncompromising nature. The entire cast was excellent, but she was the standout for me.
Favorite scene:
The end of Ladies in Waiting. Without spoiling, it felt inevitable after Henry VIII arguing with all the women whose lives he'd ruined, and was cathartic as hell after all the nonsense we've had to deal with in 2017.
Favorite quote:
I mean, one of my favorite lines of any Shakespeare play is "I am all the daughters of my father's house, and all the brothers too," because it's telling the truth while also telling a lie, and holds a world of meaning and grief and longing, so I'll go with that one from Twelfth Night.
Most inspirational in terms of own writing?
Er, none really? I had a bad year of pretty much no writing outside two Adventure Zone fics and finishing a Les Mis fic, so maybe 2018 will give me some inspiration.
How many you'd actually watch again?
I always see Twelfth Night, Les Miserables, Or, and Fun Home every opportunity I can, but I'd also watch Neverwhere, Ragtime, Book of Mormon, and Ladies in Waiting again if the opportunity came by.