cinaed: This fic was supposed to be short (Default)
Work is horrible, we've had a broken elevator for over two months now and it's draining my will to live besides, you know, the complications of living in DC and not knowing for months if I was going to be furloughed or not. But thankfully I have had theater to distract me! And somehow all of my May shows ended up being queerer than any of the shows I'll be seeing during actual Pride Month, haha.

I saw Kimberly Akimbo at the National, which I only knew going in had won some Tonys, and got there and realized it was done by some of the Fun Home people and went "Oh, I'm going to cry, aren't I?" and I did and it was great. It is very much a musical about dysfunctional families but also about trying to live your life to the fullest despite a death sentence hanging over your head, how sometimes you are not the person your parents expected, and striving to find joy today despite looming sorrow tomorrow. With bonus cute romances and a hilarious background teen drama of a friend group in which the lesbian is in love with the straight girl who's in love with the gay boy who's in love with the straight boy who's in love with the lesbian. Impeccable teen drama. 

Then I saw We Are Gathered at Arena Stage, which is a play by Tarell Alvin McCraney, screenright of Moonlight, which still feels a bit like a fever dream. It was in the round and there was a lot of call and response from the audience and fourth-wall breaking, but also it was a gripping emotional look at cruising, struggling with emotional and physical trauma and how that impacts your relationships, and unlearning shame while feeling vaguely Shakespearean with a lot of its dialogue. The final part felt truly like the end of a Shakespeare play, and I loved it. Plus apparently they sent out an offer to have people get to do their own vows in the last scene, and these two women got married alongside the actors! And there was a reception afterwards with drinks and desserts! (I took a cupcake but it was 10:30 and I had to be at work the next day at 8:30, so no alcohol for me.)

Lastly, I went to see actual Shakespeare and saw the Folger's majority nonbinary queer cast of Twelfth Night. This is my favorite Shakespeare play, and I especially loved this version! Defiantly, joyfully queer, drawing out Shakespeare's raunchiness with a display of kinky innuendo and queer fashion and absolutely incredible music and dancing. Malvolio's dance and song as he serenades a baffled Olivia in his yellow garters was a particular highlight. Everyone was excellent and no one was straight. Sir Tony was using poor Sir Andrew as his side piece and money bags while wooing Maria. Antonio/Sebastian was wonderfully canon which made Sebastian ditching him at the end all the sadder. Olivia absolutely wants to sleep with both Viola and Sebastian. Orsino wants to get stepped on by Viola/Cesario so badly. Also somehow I ended the play shipping Sir Andrew/Antonio, haha.
cinaed: This fic was supposed to be short (Default)
 I'm trying to be better about not overextending myself on theater this year, since my general average for shows in the last few years have been like 25-30 shows a year, but I'm still excited for the shows I'm seeing!

And the Hadestown tickets for NYC need to come on sale soon because I want to see it so badly. I've loved the concept album since like 2011. Please....let me see it....

Already Seen
  • Beetlejuice (National Theater)
  • King John (Folger Theater) 
  • Anastasia (Kennedy Center)
Already Purchased Tickets
  • Beautiful: The Carole King Musical (National Theater)
  • A Woman of No Importance (Atlas Theater)
  • Indecent (Arena Stage)
  • School of Rock (National Theater)
  • Nell Gwyn (Folger Theater)
  • Finding Neverland (National Theater)
  • A Bronx Tale (National Theater)
  • Bat Out of Hell (National Theater)
  • Love's Labor's Lost (Folger Theater)
  • The Orestia (Shakespeare Theater Company)
Currently Waffling About
  • Describe the Night (Woolly Mammoth Theater)
  • Aladdin (Kennedy Center) 
  • Into the Woods (Ford's Theater)
  • Jubilee (Arena Stage) 
  • The Heiress (Arena Stage) 
cinaed: This fic was supposed to be short (Default)
 I saw just “The Way of the World,” a comedy written by Theresa Rebeck and adapted from the play by William Congreve. I’m trying to be better about actually talking about stuff I’ve seen, so here goes.

I’ll let Folger give a summary of the play:

“Mae is an altruistic woman with just a little baggage—a $600 million inheritance. When her philandering boyfriend, Henry, seduces her aunt, both women become the object of scandal. Henry has a plan to win the heiress back. In the lush and opulent land of the Hamptons, where money and status determine everything, can love conquer all? Freely adapted from Congreve’s classic play, The Way of the World is a sparklingly witty physical comedy illuminating the foibles of the upper-class.”

Our cast of characters:

  • Mae: Our so-called altruistic heroine with $600 million who spends most of the play saying she doesn’t want her money and is totally going to donate it to Haiti and build them water systems and hospitals. Drives a Prius and has issues with her friends trying to get her to buy ugly $2,000 hats. Also has legitimate abandonment issues as well as problems with the playboy Henry, who she broke up with after he slept with her and her aunt. Should use some of that $600 million to change her name and disappear to go do good deeds around the world, but unfortunately sticks around with these buttheads. 
  • Henry: The philandering boyfriend. Somehow every single person in this play is somewhat in love with him, and I just don’t get it. Okay, everyone claims he is super good at sex, but guys, he’s a terrible person! He gets called a Don Juan or Leonardo DiCaprio, but I don’t see it, and am judging everyone accordingly. Sleeps with pretty much all of the cast at some point during or before the play, except for Reg, who is straight, and Lyle, who is gay. 
  • Rene: Mae’s aunt and mother figure, who’s raised her since Mae’s parents went “Eh, $600 million is a good inheritance for a baby, right? So our obligation is done!” and fucked off somewhere. I think the mother went to Paris? Rene is one of rich older women who is prone to histrionics because she’s throwing a party and this $10,000 dress makes her look frumpy! And no, the $6,000 hat doesn’t help! Spends a lot of time being defensive about trickle down economics. Has her gardeners paint the lawn a nicer shade of green. Is hilariously terrible until a spoiler happens. 
  • Katrina: One of Mae’s supposed friends and Henry’s ex. Is the one to claim Henry is a Casanova figure that everyone wants, and is obviously still hung up on him while hating his guts. Pushes ugly but expensive hats at Mae, and then buys them herself. The playwright apparently forgets about Katrina halfway through the play, which disappointed me. 
  • Charles: Henry’s best friend. Gay, mean, and a lover of gossip. At one point Henry and Mae are having a dramatic fight and he’s just in the background, filming the whole thing with an expression of deep delight. Had a one-night stand with Henry a few years back and is still obsessed with him, even though Lyle is RIGHT THERE whisking Charles off to the Pines and being the least terrible man in this play. Get your shit together, Charles. 
  • Reg: Another of Henry’s friends and Lyle’s cousin. A fratboy in the body of a forty-something year old man. Has a lot to say, all of it ridiculous. Can be summarized by the dude sitting behind me during one of Reg’s speeches, who said in a tone of awe, “He’s so stupid!” as though Reg had opened his mind to how stupid people really can be. Also has one of the only genuine moments in the show with Rene, as well as being supportive of Lyle, dropping him from 100% douchebag to 90%. 
  • Lyle: Reg’s cousin from Nantucket who is gay and also doesn’t want to talk about whales. Or Moby Dick. But especially whales. Is probably the least awful man in the show, who wants a genuine connection with Charles but is also willing to pretend to be interested in Rene, first because a total stranger asked him to and he didn’t have anything better to do that day, and afterwards when he starts to have a conscience, because Charles asks him to do it for the drama. Despite this, still the best guy, which is saying a lot. 
  • Waitress: Waitress working six jobs to spend the summer in the Hamptons. She loves the Hamptons! She also hates the Hamptons. But she especially hates Terrible Tippers. Did you, like, know that the 1% are really bad tippers! I know, total surprise! Sleeps with Henry and manages to get drawn into his bullshit, but mostly comes out of it unscathed. She also falls into the ‘forgotten by the writer’ black whole. I’d say she and Katrina should run off together, but Katrina’s mean to her in the first act and is also clearly a Terrible Tipper, so their love wasn’t meant to be. My advice to Waitress is just steal all the shit and run. Escape, girl, escape.  

My verdict:

Recommended if you enjoy hating on rich people, looking at pretty clothing, watching terrible people being terrible, and experiencing a really gorgeous stage design. 

Not recommended if you want to see any of these assholes have a proper comeuppance. Or if you wanted any of these people to get a compassion bat to the face and learn how to be decent people. Seriously, I was halfway home and went “HEY, EVEN THAT PERSON TURNED OUT SELFISH. RICH PEOPLE!!!” 

cinaed: Tough times don't last, tough people do, remember? (Gregory Peck)
Thanks to [personal profile] ambyr for letting me use this format for a yearly review. I'll probably do book review one too at some point.

How many plays seen in 2017?
 
Twenty-nine shows! Doing a quick count of 2016, that's down from 36, but that's also mostly because this time I didn't exhaust myself trying to see like 20 Fringe Festival shows. Still a pretty good number.

Fiction/Non-Fiction ratio?

All of them were fiction, though several of them used elements of history. Or, with the life of Aphra Behn. Ladies in Waiting, which was a very cathartic show where all of Henry VIII's wives got to yell at him in the afterlife. Julius Caesar and Antony and Cleopatra both involving Shakespeare playing with history. The Devil's Music, with the life of Bessie Smith.

Male/Female playwrights?

Whoops, that's not really something I pay attention to, other than to keep an eye out for favorite playwrights. Looking at them now, it fell out as:

Female: 2
Male: 16
Multple f/f playwrights: 2
Multiple m/m playwrights: 4
Multiple m/f playwrights: 2

...Yikes, I am going to have to work on that.
 
Favorite plays watched?
 
Or, is one of my all-time favorite plays, so I was delighted to see it back in my area! The last time I saw it was probably 2011 or so at a community theater. Twelfth Night is also my favorite Shakespeare, so it was fun to see it again. The Devil's Music: The Life & Blues of Bessie Smith and Neverwhere were probably my favorite first-time watches.
 
Least favorite?
 
Release, a Rock Opera was a mess. There were a few absolutely gorgeous songs, and the actors did their best, but there were problems with audio, and the story itself was a mess and infuriating. Also, Shakespeare is always hit or miss for me, and I didn't really enjoy three of his I saw this year: Julius Caesar, Antony and Cleopatra, and Timon of Athens. I admired Arden Now for what it was trying to do with pronouns and gender, but it ultimately didn't work for me. The rainbow cake they passed out at the end was some of the best cake I've ever had, so there's that going for it.
 
Oldest play watched?
 
Julius Caesar, beating out the other Shakespeare plays by a year or so.
 
Newest?
 
Mean Girls I know for certain, but I believe Arden Now and The Changeling Child were both premieres as well.
 
Longest play title?
 
Ladies in Waiting: The Judgement of Henry VIII tried, but ultimately The Devil's Music: The Life & Blues of Bessie Smith wins.
 
Shortest title?
 
Liz Duffy Adams' Or.
 
How many re-watches?
 
I saw Mean Girls twice, once with a theater subscription and another with my manager as a good-bye gift after she was transferred, but six I've seen at least once before (or in Les Miserables' case, uh, this was my fifth time). Twelfth Night, As You Like It, RENT, Or, and Fun Home.
 
Most plays seen by one playwright this year?
 
Five by good old Mr. Shakespeare. Seven, if you take into account both Arden Now and The Changeling Child being remixes or sequels of A Midsummer Night's Dream and As You Like It.
 
Any in translation?
 
Not quite, though The School of Lies is adapted from Le Misanthrope by Molière.
 
Any musicals?
 
Uh, yes. I am very much a lover of musicals, haha. I saw twelve this year.
 
Plays that most changed my perspective:
 
Neverwhere was my first experience with immersive theater, and I loved it a lot. It definitely made me want to try more immersive theater.
 
Play that made me laugh the most:
 
Noises Off! was hilariously zany, and The Book of Mormon was so much fun to see live. So many jokes that couldn't make it onto the casting recording that made me laugh. I don't know if The Changeling Child was a good play, but it was an AMAZING one. I loved Puck being annoyed about developing feelings and being more of a parental figure to Raj, and the relationships between Raj/Pyramus and Velena/Gaitana. Plus sex pollen and orgies, oh my. 
 
Saddest play:
 
Oh boy, how do you choose between Cabaret, which is about the rise of Nazism in Germany and the miseries dysfunctional people can inflict upon each other; Ragtime, which is about racism and anti-immigration sentiment in early 1900s America; or Death of a Salesman about pride leading to a man's self-destruction and all the damage you can do to your children? I'll just go with all three.
 
Favorite set design:
 
I loved everything about the immersion theater of Neverwhere, but I also really loved how Mean Girls used technology to add extra layers to the musical. And I really loved the Twelfth Night design, even though my show had, er, some technical difficulties.
 
Favorite choreography:
 
The Book of Mormon had great choreography. The Pajama Game was very 1950s in tone, but the actors were amazing and the dancing was fantastic. The Devil's Music also had some very sexy dancing involving a saxophone that managed to be funny and hot all at once, so kudos for that.
 
Favorite character:
 
Questions about favorite for individual people are always hard for me, but I'm going with Biff Loman from Death of a Salesman as a character who stuck with me. His disillusionment with his father as well as his realization and eventual acceptance that he's an average guy and that his parents placed a burden on him to be special was very moving to me. Despite the ending of the play, I think he out of the surviving cast is going to be okay. Also I read some gay subtext into his relationship with his old high school friend, so my mental fix-it is that he buys himself that ranch he wanted and ends up falling for one of his ranch hands and lives happily ever after.
 
Favorite actor:
 
Syesha Mercado as Nabulungi in The Book of Mormon. "Sal Tlay Ka Siti" was turned into something incredibly moving thanks to Mercado's aching sweetness and optimism for a better life than the one she's living. Just wonderful. I loved her fierce but kind and uncompromising nature. The entire cast was excellent, but she was the standout for me.
 
Favorite scene:
 
The end of Ladies in Waiting. Without spoiling, it felt inevitable after Henry VIII arguing with all the women whose lives he'd ruined, and was cathartic as hell after all the nonsense we've had to deal with in 2017.
 
Favorite quote:
 
I mean, one of my favorite lines of any Shakespeare play is "I am all the daughters of my father's house, and all the brothers too," because it's telling the truth while also telling a lie, and holds a world of meaning and grief and longing, so I'll go with that one from Twelfth Night.
 
Most inspirational in terms of own writing?
 
Er, none really? I had a bad year of pretty much no writing outside two Adventure Zone fics and finishing a Les Mis fic, so maybe 2018 will give me some inspiration.
 
How many you'd actually watch again?
 
I always see Twelfth Night, Les Miserables, Or, and Fun Home every opportunity I can, but I'd also watch Neverwhere, Ragtime, Book of Mormon, and Ladies in Waiting again if the opportunity came by.
 
Full list of plays seen:
 
Antony and Cleopatra
Arden Now
Assassins
As You Like It
The Book of Mormon
Cabaret
The Changeling Child
Death of a Salesman
The Devil's Music: The Life & Blues of Bessie Smith
Footloose
Fun Home
Hedwig and the Angry Inch
Julius Caesar
Ladies in Waiting: The Judgement of Henry VIII E
Les Miserables
The Lover & The Collection
Mean Girls
Neverwhere
Noises Off!
Or,
The Pajama Game
Passing
Ragtime
Release: A Rock Opera
RENT
The School of Lies
Timon of Athens
Twelfth Night
Who's Afraid of Virginia Woolf?
cinaed: This fic was supposed to be short (Default)
 Went to see an adaptation of Antigone today.

One-word review: YIKES. 

Longer review: I…don’t understand the writer’s choices at all. ANY OF THEM. 

  • Unexpected Antigone/Polynices incest! I’m just. Look, buddy, if incest is your thing, maybe consider doing an adaptation of Oedipus/Jocasta’s story. Just saying. 
  • …Honestly I think it was also implying Creon had a thing for Antigone too, but the acting choices in this were so bizarre I am not a hundred percent sure on that. Also weird Antigone/Teiresias subtext??
  • Haemon and Antigone were engaged, but then ten days before the wedding, Haemon sleeps with Ismene? Also why make Haemon a WASP-y dude bro, rude. 
  • Okay, so Eurydice doesn’t exist in this adaptation. Cool. Cool cool cool. 
  • …Antigone is possibly schizophrenic and definitely hears voices. I…no. Nope. 
  • Who are these two killers who keep showing up and murdering random characters? Like, I am pretty sure not this many people died in Antigone. Did these two weirdos wander off the set of a stage play of The Boondock Saints? 
  • …And then Antigone dies because Creon institutionalizes her and she jumps out of the window of her room. NOPE. 
cinaed: This fic was supposed to be short (Default)
 So I saw The Metromaniacs last week! 

Verdict: I really loved it.

Longer verdict: David Ives, who adapted the play from its original French, does some interesting things with language and rhyming— he modernizes the language as well as has the play in rhymed verse, which took me a few minutes to adjust to, but felt clever rather than trite. 

The play is funny. It manages to feel a bit like Shakespeare and Oscar Wilde, with countless sex jokes, multiple ridiculous romantic entanglements, and each character juggling at least two (and sometimes three) identities. Plus lots and lots of poking fun at writers, both excellent writers and terrible ones.

Also you can’t go wrong when the play is making fun of Voltaire for falling for a scam artist, because Alexis Piron was a troll who thought the whole thing was hilarious. 
 

[The Metromaniacs] was a lip-smacking scandal in its time, spinning into art what had been real-life comedy. It seems all Paris had fallen in love with the poems of Mademoiselle Malcrais de La Vigne, a mysterious poetess from distant Brittany (read: Appalachia). The celebrated satirist Voltaire publicly declared his love for the lady and her great works, only to have it revealed that Mlle de La Vigne was a guy named Paul Desforges-Maillard, very much living in Paris and taking his revenge on the poetry establishment for not appreciating his genius. Needless to say, Voltaire wasn’t pleased when Piron’s satire showed up (and showed him up). Worse than that, the show was a hit.
— The story behind Alexis Piron’s The Metromaniacs, from David Ives’s “Metromania Mania.”
cinaed: This fic was supposed to be short (Default)
So last night I saw David Grieg’s sequel to Macbeth.

There were many things I liked about it!

The actress playing Lady M was phenomenal, and all the acting was strong. I really liked how Lady M and the other Scots spoke Gaelic to each other, leaving the audience as well as Siward (the English lord here to broker peace between Malcolm and the clans) and the other English visitors in the dark and only guessing at their intentions.

But I don’t think I’d recommend it, for a couple reasons.

One, while I can appreciate dark humor, there are times in the play when Grieg goes for a cheap laugh and ruins an otherwise complex and moving moment.

Two, although I don’t really support Lady M (though she’s much more sympathetic in the sequel than in Macbeth), Siward is…augh, just. I am so tired of “honorable” men and their good intentions.

 

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