cinaed

Woo, poems! ...Okay, yeah. And last poem reminds me of Sheppard a bit. Or something. *grin*

"Poem Without A Title" by Charles Simic

I say to the lead
Why did you let yourself
Be cast into a bullet?
Have you forgotten the alchemists?
Have you given up hope
Of turning into gold?

Nobody answers.
Lead. Bullet.
With names like that
The sleep is deep and long.

*

"With Mercy For The Greedy" by Anne Sexton

For my friend Ruth, who urges me to make an appointment for the Sacrament of Confesson

Concerning your letter in which you ask
me to call a priest and in which you ask
me to wear The Cross that you enclose;
your own cross,
your dog-bitten cross,
no larger than a thumb,
small and wooden, no thorns, this rose --

I pray to its shadow,
that gray place
where it lies on your letter ... deep, deep.
I detest my sins and I try to believe
in The Cross. I touch its tender hips, its dark jawed face,
its solid neck, its brown sleep.

True. There is
a beautiful Jesus.
He is frozen to his bones like a chunk of beef.
How desperately he wanted to pull his arms in!
How desperately I touch his vertical and horizontal axes!
But I can't. Need is not quite belief.

All morning long
I have worn
your cross, hung with package string around my throat.
It tapped me lightly as a child's heart might,
tapping secondhand, softly waiting to be born.
Ruth, I cherish the letter you wrote.

My friend, my friend, I was born
doing reference work in sin, and born
confessing it. This is what poems are:
with mercy
for the greedy,
they are the tongue's wrangle,
the world's pottage, the rat's star.

*

"Arabic" by Naomi Shihab Nye

(Jordan, 1992)

The man with laughing eyes stopped smiling
to say, “Until you speak Arabic --
-- you will not understand pain.”

Something to do with the back of the head,
an Arab carries sorrow in the back of the head
that only language cracks, the thrum of stones

weeping, grating hinge on an old metal gate.
“Once you know,” he whispered, “you can enter the room
whenever you need to. Music you heard from a distance,

the slapped drum of a stranger’s wedding,
wells up inside your skin, inside rain, a thousand
pulsing tongues. You are changed.”

Outside, the snow had finally stopped.
In a land where snow rarely falls,
we had felt our days grow white and still.

I thought pain had no tongue. Or every tongue
at once, supreme translator, sieve. I admit my
shame. To live on the brink of Arabic, tugging

its rich threads without understanding
how to weave the rug… I have no gift.
The sound, but not the sense.

I kept looking over his shoulder for someone else
to talk to, recalling my dying friend who only scrawled
I can’t write. What good would any grammar have been

to her then? I touched his arm, held it hard,
which sometimes you don’t do in the Middle East,
and said, I’ll work on it, feeling sad

for his good strict heart, but later in the slick street
hailed a taxi by shouting Pain! and it stopped
in every language and opened its doors.

*

"Two Countries" by Naomi Shihab Nye

Skin remembers how long the years grow
when skin is not touched, a gray tunnel
of singleness, feather lost from the tail
of a bird, swirling onto a step,
swept away by someone who never saw
it was a feather. Skin ate, walked,
slept by itself, knew how to raise a
see-you-later hand. But skin felt
it was never seen, never known as
a land on the map, nose like a city,
hip like a city, gleaming dome of the mosque
and the hundred corridors of cinnamon and rope.

Skin had hope, that's what skin does.
Heals over the scarred place, makes a road.
Love means you breathe in two countries.
And skin remembers--silk, spiny grass,
deep in the pocket that is skin's secret own.
Even now, when skin is not alone,
it remembers being alone and thanks something larger
that there are travelers, that people go places
larger than themselves.

*

"The Novel" by Adrienne Rich

All winter you went to bed early, drugging yourself on War and Peace
Prince Andrei's cold eyes taking in the sky from the battlefield
were your eyes, you went walking wrapped in his wound
like a padded coat against the winds from the two rivers
You went walking in the streets as if you were ordinary
as if you hadn't been pulling with your raw mittened hand
on the slight strand that held your tattered mind
blown like an old stocking from a wire
on the wind between two rivers.

All winter you asked nothing
of that book though it lay heavy on your knees
you asked only for a shed skin, many skins in which to walk
you were old woman, child, commander
you watched Natasha grow into a neutered thing
you felt the pages thickening to the left and on the right-
hand growing few, you knew the end was coming
you knew beyond the ending lay
your own, unwritten life