![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
cinaedThought I'd share. The first is by a Czech poet, and the others are by Billy Collins, a former US Poet Laureate.
"Osso Buco" by Billy Collins
I love the sound of the bone against the plate
and the fortress-like look of it
lying before me in a moat of risotto,
the meat soft as the leg of an angel
who has lived a purely airborne existence.
And best of all, the secret marrow,
the invaded privacy of the animal
prized out with a knife and swallowed down
with cold, exhilarating wine.
I am swaying now in the hour after dinner,
a citizen tilted back on his chair,
a creature with a full stomach--
something you don't hear much about in poetry,
that sanctuary of hunger and deprivation.
you know: the driving rain, the boots by the door,
small birds searching for berries in winter.
But tonight, the lion of contentment
has placed a warm heavy paw on my chest,
and I can only close my eyes and listen
to the drums of woe throbbing in the distance
and the sound of my wife's laughter
on the telephone in the next room,
the woman who cooked the savory osso buco,
who pointed to show the butcher the ones she wanted.
She who talks to her faraway friend
while I linger here at the table
with a hot, companionable cup of tea,
feeling like one of the friendly natives,
a reliable guide, maybe even the chief's favorite son.
Somewhere, a man is crawling up a rocky hillside
on bleeding knees and palms, an Irish penitent
carrying the stone of the world in his stomach;
and elsewhere people of all nations stare
at one another across a long, empty table.
But here, the candles give off their warm glow,
the same light that Shakespeare and Izaac Walton wrote by,
the light that lit and shadowed the faces of history.
Only now it plays on the blue plates,
the crumpled napkins, the crossed knife and fork.
In a while, one of us will go up to bed
and the other will follow.
Then we will slip below the surface of the night
into miles of water, drifting down and down
to the dark, soundless bottom
until the weight of dreams pulls us lower still,
below the shale and layered rock,
beneath the strata of hunger and pleasure,
into the broken bones of the earth itself,
into the marrow of the only place we know.
"Water Table" by Billy Collins
It is on dry sunny days like this one that I find myself
thinking about the enormous body of water
that lies under this house,
cool, unseen reservoir,
silent except for the sounds of dripping
and the incalculable shifting
of all the heavy darkness that it holds.
This is the water that our well was dug to sip
and lift to where we live,
water drawn up and falling on our bare shoulders,
water filling the inlets of our mouths,
water in a pot on the stove.
The house is nothing now but a blueprint of pipes,
a network of faucets, nozzles, and spigots,
and even outdoors where light pierces the air
and clouds fly over the canopies of trees,
my thoughts flow underground
trying to imagine the cavernous scene.
Surely it is no pool with a colored ball
floating on the blue surface.
No grotto where a king would have
his guests rowed around in swan-shaped boats.
Between the dark lakes where the dark rivers flow
there is no ferry waiting on the shore of rock
and no man holding a long oar,
ready to take your last coin.
This is the real earth and the real water it contains.
But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain.
"Days" by Billy Collins
Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.
Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.
Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow
on the one before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.
No wonder you find yourself
perched on the top of a tall ladder
hoping to add one more.
Just another Wednesday
you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.
"If One Could Tell One's Heart" by Jaroslav Seifert If one could tell one's heart: don't rush! If one could bid it: Burn! The flame is dying. Only a slipper now, only a hand, only a thimble now before the key turns, opening the door through which we pass with tears for that terrible beauty called Life. Don't feel ashamed. Lord Jesus also wept. Last night the stars shone so brilliantly. But why should a single blade speak of itself when there is grass? I do apologize, I only want a few words. When I collapsed with pain and death was licking its finger to snuff out the small red flame of blood, came the one woman who was closest to me, knelt down beside me and bent low to breathe, with her long kisses, her breath into my lungs, as to a drowned man. And he, already leaving, opened his eyes again and desperately with his hands hung on to her shoulders and hair. Maybe it's possible to live without love -- but to die without it is sheer despair. Just one more little leaf, just one more grain, only a pinhead's worth! So I can just for a little longer stagger in the mild sunshine of womanhood, which draws us close and leads us away, seeks and passes, urges and restrains, strikes down and raises up, binds and loosens, caresses and kills, wing and anchor fetter and ray, rose and claw to the end.
"Osso Buco" by Billy Collins
I love the sound of the bone against the plate
and the fortress-like look of it
lying before me in a moat of risotto,
the meat soft as the leg of an angel
who has lived a purely airborne existence.
And best of all, the secret marrow,
the invaded privacy of the animal
prized out with a knife and swallowed down
with cold, exhilarating wine.
I am swaying now in the hour after dinner,
a citizen tilted back on his chair,
a creature with a full stomach--
something you don't hear much about in poetry,
that sanctuary of hunger and deprivation.
you know: the driving rain, the boots by the door,
small birds searching for berries in winter.
But tonight, the lion of contentment
has placed a warm heavy paw on my chest,
and I can only close my eyes and listen
to the drums of woe throbbing in the distance
and the sound of my wife's laughter
on the telephone in the next room,
the woman who cooked the savory osso buco,
who pointed to show the butcher the ones she wanted.
She who talks to her faraway friend
while I linger here at the table
with a hot, companionable cup of tea,
feeling like one of the friendly natives,
a reliable guide, maybe even the chief's favorite son.
Somewhere, a man is crawling up a rocky hillside
on bleeding knees and palms, an Irish penitent
carrying the stone of the world in his stomach;
and elsewhere people of all nations stare
at one another across a long, empty table.
But here, the candles give off their warm glow,
the same light that Shakespeare and Izaac Walton wrote by,
the light that lit and shadowed the faces of history.
Only now it plays on the blue plates,
the crumpled napkins, the crossed knife and fork.
In a while, one of us will go up to bed
and the other will follow.
Then we will slip below the surface of the night
into miles of water, drifting down and down
to the dark, soundless bottom
until the weight of dreams pulls us lower still,
below the shale and layered rock,
beneath the strata of hunger and pleasure,
into the broken bones of the earth itself,
into the marrow of the only place we know.
"Water Table" by Billy Collins
It is on dry sunny days like this one that I find myself
thinking about the enormous body of water
that lies under this house,
cool, unseen reservoir,
silent except for the sounds of dripping
and the incalculable shifting
of all the heavy darkness that it holds.
This is the water that our well was dug to sip
and lift to where we live,
water drawn up and falling on our bare shoulders,
water filling the inlets of our mouths,
water in a pot on the stove.
The house is nothing now but a blueprint of pipes,
a network of faucets, nozzles, and spigots,
and even outdoors where light pierces the air
and clouds fly over the canopies of trees,
my thoughts flow underground
trying to imagine the cavernous scene.
Surely it is no pool with a colored ball
floating on the blue surface.
No grotto where a king would have
his guests rowed around in swan-shaped boats.
Between the dark lakes where the dark rivers flow
there is no ferry waiting on the shore of rock
and no man holding a long oar,
ready to take your last coin.
This is the real earth and the real water it contains.
But some nights, I must tell you,
I go down there after everyone has fallen asleep.
I swim back and forth in the echoing blackness.
I sing a love song as well as I can,
lost for a while in the home of the rain.
"Days" by Billy Collins
Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.
Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.
Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow
on the one before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.
No wonder you find yourself
perched on the top of a tall ladder
hoping to add one more.
Just another Wednesday
you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.
